We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkPrivacy policy
“Hanging above the audience, metal cans are linked to some strings of a piano frame by long steel wires (3 to 5 m.). Strings are excited by percussion, friction, magnetic fields and electric motors.” (extract from inner notes) First solo record, before the CD released by Sub Rosa, from this musician/instrument builder from Liege, Belgium (after a collaboration CD of strange songs with Frederic le Junter and one long track on a Sub Rosa compilation), also collaborator of Arnold Dreyblatt for performances. A first part in a Dreyblatt style, a center part of layered and droning sounds (but without any effects) and a more strong finale.